Chloé d’Azémar

I build imaginary territories where women can fully exist, far from the male gaze.
I use deceptively naive drawings on kraft paper and decorative elements as pretexts to tell intimate, funny, raw, and powerful stories.
My work is nourished by post-MeToo feminist thought, where the figure of the witch becomes a tool for emancipation.
I speak of desire, bodies, and sexuality without detour, with a soft, sometimes sensual aesthetic that deliberately contrasts with the radical nature of the subjects addressed.
I subvert religious codes, foundational narratives, and fairy tales to inject my own feminine mythology.
I erase male figures to make room for powerful women, actors of their own desire.
Misandry here is humorous, provocative, and claimed as a space of survival.